My current body of work employs digital sculpting and 3D scanning and printing techniques that I use to explore a range of narratives and themes.
I work with found objects and collected toys that I digitally modify . These form the basis of my practice and enable me to investigate the familiar in new, and unexplored, ways.
For example, my most recent work includes a series depicting parasitical and symbiotic civilisations that are digitally manipulated onto the backs of giant animals. These in turn become 3D sculptures that visually allude to modern methods of art production but also work in juxtaposition to references of untold fables.